The Third Billy Book, and New Website

 Hello everybody! It's odd; this is the first time I'm posting on this blog without a new comic, and also the last time I'll be posting here at all (at least, as far as I know).

As I promised in the previous post, I'm here to notify you all about the third and final Billy the Pop book collection! It's called Sweet Adventure, and contains the Billy strips from 2017 to 2020. As with the previous two books, it contains several all-new watercolor illustrations, which I had a lot of fun putting together. I consider this the best Billy book of the three, as to me it represents the peak of the strip's humor and visuals and features some of the strip's best storylines.

Here are a few photos of the book to give you an idea. I'm quite pleased with how it came out.



Sweet Adventure is available on Amazon for US$19. Visit the page here!

Additionally, I've spent a portion of the summer putting together my new website, colegoco.art! This will serve as my new hub for all my artistic pursuits: comics, film, illustration and more. The site already holds plenty of drawings and films that I've never mentioned on this blog before, so head over there if you want to see those. Feel free to check in every now and then to see what I've been working on! You can also follow me on my Instagram, where I'll post a bit more frequently and give updates on what I'm doing.

Thank you all for tuning in to this blog over the years. As difficult as it is to say goodbye to the Billy the Pop website, it's also exciting to move into new territory, and I hope you'll stick with me as I do. See you there!

 — CG

June 20th, 2020

Well, here it is. The last Billy the Pop strip. It's hard for me to figure out what to say about it, other than that I hope it's a satisfying ending.

It's the first day of summer, fittingly, because it was about this time of year that I started drawing this comic in 2013, as a rising seventh-grader. It's surreal to think back to that time now, as I currently sit in the same basement, on the same computer that I posted the first Billy strip with. I almost feel like a completely different person today; my seventh-grade self had neither the drawing skill nor self-awareness to fully know what he was committing to in starting a webcomic. I still don't know much about managing an online presence or marketing myself on the internet, but that was never the point, really. My aim was to personally progress in the medium of comics, to force myself to work on a long-term project and see it through to its conclusion. And now, seven years later, I believe I successfully did that.

I've learned so much about comics and myself as Billy has continued on. On a simply visual level, I like to think I've improved at least a little since the early days of the strip (which are rather embarrassing for me to look at now). I have more confidence in my lines and a better grasp on color and panel layout now. Perhaps more importantly, I've learned quite a bit about writing in the course of making Billy. Comic writing is a delicate thing, and it's taken a long time for me to fine-tune mine to an effective level of concision and cleverness, while also balancing comedy with (what I think are) thoughtful or profound moments. I know I have a long way to go in this respect, but I've still come to appreciate the writing side of comics, and writing in general, much more. It's also interesting to see how I've changed since the strip began. In posting these online, I wanted to create pressure on myself, even if imaginary, to give my readers new comics regularly. It pushed me to keep the strip going and stick to deadlines (although clearly, the deadlines part fell off in recent years). It's hard to know for sure, but this could have helped me form the creative work ethic I have today. The comics themselves, and the commentaries that I'd write under them, have been pretty indicative of who I am as well. When I read my earlier posts on this blog, I can see myself as the unassuming kid I was (again, embarrassing), with barely any sense of humor or language to explain myself. The subjects of these strips and the characters' dialogue have often related to my own experiences and thoughts, so when I read them I can recall much about my headspace and personal life at the time. Altogether, this webcomic forms a document of my growth as an artist and as a person, and for that alone it's very valuable to me.

Overall, there are 749 Billy the Pop comic strips. I find it kind of funny that, while this comic has been present for so much of my life and has taken up so much of my time, it hasn't created that large of a body of work by comic strip standards. The format of this strip was based off that of a newspaper comic, but if I had actually released these comics daily like in a newspaper, the entirety of Billy would have lasted just over two years — not much compared to most long-running strips. Of course, if I hadn't drawn this strip over such a long period, it probably wouldn't have matured by the end the way it has. 

When I started drawing Billy, I hoped to become a syndicated cartoonist someday. That's no longer my goal; honestly, I'm not sure what my goal is now. There are so many other art forms that I've become captivated by in the last seven years and that I plan to keep working in — film, animation, writing, painting, and maybe even music. But never fear, I'm not done with comics! At the moment I'm not very interested in individual newspaper-style strips, but I'd love to work on a large-scale graphic novel eventually. I by no means consider myself a master of comics now, but drawing Billy the Pop has brought me to a place I'm comfortable with, a place I can jump off from whenever I decide to work in the medium again.

Thank you all so, so much for sticking with the strip all this time. It's been very comforting having this little corner of the internet for people to visit and read my silly cartoons. I've appreciated all the pageviews, feedback, and book sales that the strip has resulted in. Really, I'm just grateful that anyone has paid any attention! You've been endlessly kind and supporting over the years; it's meant the world to me. Thank you!

This, of course, is not the final release for Billy and the gang. By the end of the summer, if all goes well, I'll have put together the third and final Billy book collection! I'll also be working on a new website, where I'll be collecting and displaying all the other artwork I make. Once both of those things are done, I will make one last post on this blog to notify you guys. Until then, there are a few places you can see what I'm up to:

My Instagram (@colegoco) (where I post random art I'm working on),
my YouTube page (where you can see my film and animation projects),
and the Billy the Pop Facebook (basically defunct, but for posterity's sake).
Plus, you can always email me at billythepop@gmail.com.

For now, goodbye, everybody! Thanks for everything.

 — CG

June 2nd, 2020

And so, the story finally ends. Don't worry, there will be one more final strip after this, so I'll save the sentimental rambling until then.

Still, this storyline was quite an interesting project for me. It consisted of 42 strips total and took almost a year and a half to do (which is more indicative of my laziness than the complexity of the story), making it by far the longest-running series in this strip. If you'd like to start back at the beginning, here's a link to the first strip of the story. Reading it all together is strange to me, because it feels like forever since I drew the gang leaving their house. It's also strange that, as large-scale as this story was for me, it really only amounts to about an 11-minute cartoon's worth of content. That said, I'm certainly proud of how it all turned out! It feels great to have completed a story with so many shifts and parallel plotlines, especially in a medium like this where the whole thing has to be split into equally-entertaining tiny chunks. I learned a lot about the limits of comic strips while drawing this — how much plot information can be contained in one strip, how to balance that information between visuals and dialogue, and how to intersperse jokes in a way that drives the story forward. I don't know if it worked 100% of the time, but overall I'm quite happy with it, and I hope it was enjoyable for you all to read too!

Thanks, and I'll see you at the final strip!

May 24th, 2020

The second-to-last strip of the storyline. Certainly a fun one to draw.

May 18th, 2020

They made it! Perhaps this strip is a little anticlimactic, but I figured the actual climax of the story happened earlier anyway. 

Still two strips to go until the end! I've now finished the school year, so I'm much freer to draw and it probably won't be long until the strip is over. It's kind of funny looking back, because I had planned to finish the strip at the end of last school year. But I had started this big ambitious storyline, and evidently I needed to take my sweet time with completing it. I do think the comics turned out better for the added time, though, because it allowed me to really think the story through before I drew it.

Also, if anyone's interested in this, I started up an Instagram (@colegoco) recently where I plan to post various unrelated art projects of mine. Check it out if you want! 

May 7th, 2020

More fun desert landscapes. It's hard not to seem like you're copying a Calvin and Hobbes Spaceman Spiff strip when you use this kind of scenery, but it's just too cool-looking for me to resist drawing. There's barely any joke in this one, but humor isn't really the focus of it anyway.

April 26th, 2020

Thus the strip returns to some sort of normalcy. I'm glad the gang is nearing the West Coast,  because it means I get to draw the kind of great desert landscapes you can see in the southwest U.S.

I hope you are all faring as well as possible during this pandemic. I was hoping that, being stuck at home, I would have more time to draw these comics, but schoolwork is still taking up a lot of my time. Perhaps that's not too bad though, because there aren't very many strips left for me to draw, and I don't want to end the strip during the middle of a worldwide crisis; how depressing would that be? Maybe it's better that I only post every so often, so that by the time the strip ends, we'll be in a more optimistic situation. Then again, judging by the projections, things won't be going back to normal anytime soon... ah whatever, I'll just draw at the pace that works for me.

April 15th, 2020

In case you missed the April Fool's strip, or you fell for the trick, please go back to the last post and scroll down until you see the comic. I think it's a pretty important one for everyone to see.

So, back to the storyline. As I said in the last post, this will be the last "week" of six strips for this story, so only five to go after this one. This will (hopefully) be the last strip with so much dialogue crammed into it; I know it's not quite as fun to read a strip that's mostly words like this. But there was a lot of important resolution that needed to happen here, and a simple quippy cartoon exchange wouldn't have done it properly.

April 1st, 2020

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April Fools!

I always look forward to the annual Billy the Pop April Fool's prank. Did I getcha? I hope I didn't get too many of you, because I worked really hard on today's strip and I'd like as many people to see it as possible:

Here is a quick break before the final "week" (6 strips) of the road trip storyline! Because the strip is close to ending, I wanted to do an ode to all the summertime shenanigans Billy and Pete have done over the years. 

I found it a really interesting method to (almost) completely abandon panels and just let this montage of fun sprawl across the paper. It also made the coloring process interesting, because without panels sectioning off and containing the colors, they were free to bleed into each other from scene to scene. I'm not sure if the result was a total success, but what do you guys think? Is it too visually overwhelming? Can you make out what's happening well enough?


March 19th, 2020

Yet another strip where a lot has to be packed into very little space, especially all those words in the third panel and establishing the setting in the first panel. I said this before, but this storyline is testing the limits of what I can fit into this strip's dimensions, and I find that exciting. Is it too claustrophobic to look at? Let me know.

I expected to post more often over my spring break, but (as I'm sure you're aware) the virus going around has been upheaving a lot of plans. My school is going to be doing online classes, so I'm back at home in Virginia for the rest of the semester. It'll be an adjustment to make, to be sure, but maybe this means I'll have more time to draw these comics! We're nearing the end of the storyline, which means the strip will be ending pretty soon, but we still have a few more strips to enjoy together before then. :)

March 9th, 2020

Just when you thought it couldn't get any worse. Ain't that just the way.

Hope you guys had a good leap day! If only I'd had a strip ready to post that day; I was in the midst of midterms at that time. But now that it's spring break, I'm back at it!

February 26th, 2020

Another strip where a lot had to happen in not a lot of space. That car crash scene in the background is practically squished into oblivion. Maybe I should've stretched this out into two strips instead, but I really liked the idea of the three characters all meeting together in one strip.

February 22nd, 2020

The storyline is starting to come to a head! This is a very dialogue-heavy one, and a claustrophobic one to draw because of how much information had to be conveyed in it. If you thought it was hard to draw a large-scale car crash in one big panel two strips ago, imagine drawing the same crash on a tiny TV screen in the second panel here. I can't even tell if it came out coherently. If I were to do this one again, I would have made the edges of the TV screen the walls of the panel itself, instead of showing them within the panel the way I did. That would've given me more room to draw and honestly looked a lot cooler, but oh well, I thought of it too late.

February 17th, 2020

I gotta say, I'm looking forward to not having to draw big bustling scenes like the one in the second panel background. I'm pleased with how the ambition of this storyline has turned out, but man, I kinda miss the simpler table conversation strips, haha. I do like how the "Police Department" sign in the first panel sorta morphs into the "WEEWOOs" in the second; I hadn't intended for that parallel originally, but it just happened I guess.

February 6th, 2020

Back to the story! It's taken a rather serious turn, hasn't it?

This has to be the widest view of an action I've ever drawn in this strip; I've drawn pretty big landscapes before but there's never been this much going on in the foreground. It was fun figuring out how this car crash should be laid out, too. I had to think about where each car was coming from, how the crash would have impacted it, and where it would have ended up. I'm sure it's not a realistic depiction of how a crash like this would actually have turned out, but it was certainly interesting to draw.

January 30th, 2020

Here's another break from the road-trip storyline. I realized it had been a really long time since I did one of the classic Billy's snow fantasy strips, so I wanted to bring that concept back. I had a lot of fun with this one. I experimented with the linework — in the first and second panels, I only outlined the rocks and not the snow, for example. I also got to scribble rather aggressively when drawing the mountain, which is something I don't often do. Coloring this one was a hassle, given how much snow and wind swirls had to be drawn in, as well as the shadows on the rocks and mountains, but I'm really happy with how it turned out. I think my standards for the visual quality of this strip have gone up considerably recently, which means it takes longer for each strip to be completed. I hope the results are worth the wait, though!

Another reason it's taken so long is that my second semester of college has begun. I want to make an effort to post more this semester, but I can't promise anything because it's difficult for me to balance drawing with my schoolwork. I will try, though, I guarantee that.

January 12th, 2020

I think this is an interesting way for a strip to be laid out: two small panels of dialogue at the start and finish, with a large visuals-only panel in the middle. It almost reminds me of an old Christian triptych or something, and it tells the joke with a kinda unorthodox rhythm.

I must say, this storyline is really testing the limits of what I can draw without doing pencil outlines beforehand. I've always drawn this strip directly in ink, without penciling first, which makes a panel like the second one here a daunting task. That panel, as a result, doesn't really follow rules of perspective very well, as it was improvised from start to finish without that kind of forethought. Luckily, since the subject of the panel is a warped, mangled-up car, the broken perspective isn't that noticeable or important. I still prefer to go straight to pen when I draw, but I'm starting to understand how useful pencil guidelines could be for more complicated visual ideas.

January 10th, 2020

Well, it was only a matter of time until this happened. This was an intense one to draw, and very fun too. I think Billy's screaming face in the side mirror in the first panel was a nice touch, if I may say so myself. (And don't worry, this isn't actually the end.)

January 8th, 2020

Ah yes, the characters' paths are starting to converge again!

In the middle of drawing the third panel, I realized that the way the car is tilting feels a little off. My idea was that the top of the car would be tilting back as a result of all the air resistance fighting against its moving so fast. However, as drawn here, that almost makes the car look like it's moving backwards entirely. It still doesn't completely shatter the illusion, so I don't mind it too much, but maybe it would have appeared more natural if the car was tilting forwards instead.

January 6th, 2020

I'm not sure if the punch line here really makes sense. I had considered an alternate version where the last panel showed Harley saying something like "Maybe I should've stayed back at the hotel in case they came back..." but I felt that I had already done enough of those characters-have-parallel-thoughts jokes in this storyline. I do think it's funny that this strip is so much quieter in comparison to the previous one, though.

January 4th, 2020

As if the inside of the car wasn't claustrophobic enough, now I have to cram an umbrella in there somehow. Despite that, I like how this one turned out visually. I did some weird perspective warping in the first panel with the gear stick and control panel in the foreground, which I think accentuates how stressful the situation. Also, the underside of an umbrella is very difficult to draw, just so you're aware.

January 2nd, 2020

Happy new decade, people! Man, it is weird typing a 2 as the third digit of the year, since it's always been a 1 the whole time I've been posting to this blog. Times change.

Anyway, back to the road trip storyline. It was only a matter of time before things really went south here. Stay tuned to see how this turns out!

Next Comic, Last Comic and Home links are up here!

^ ^ ^